When it was announced that Liverpool would host Eurovision, I was overjoyed, but also a little bit nervous. The city had never held an event of this size before. Would we be able to pull off the feat of hosting one of the biggest and most technically complex live television events in the world? Could the city’s infrastructure cope with a massive influx of visitors from all over the world? I hoped so, but a part of me was a litte bit worried.
My concerns were unfounded. Liverpool didn’t just host Eurovision, it embraced it and turned it into a week-long festival of joy. With a massive festival of public art running alongside the event, concerts and plays to entertain us, as if the massive festival of music itself wasn’t enough.
Continue reading “Euro-star”
Eurovision is being held in Liverpool, and it has been an amazing experience. The atmosphere in the city has been electric, with numerous events being held surrounding the contest ensuring that no-one is left out, even those who couldn’t get a ticket to the show itself.
Sadly, it all comes to an end today, but it will be a massive climax with the Grand Final at 8pm, live across Europe and beyond. 26 artists will compete on behalf of their country to secure the Eurovision crown and the honour of hosting next year.
Here are the ones I think you should watch out for.
Continue reading “Liverpool Vision”
A Thong For Europe is the latest in the Liverpool Royal Court’s long-running series of plays with a truly groan-worthy pun for a title. It is a new musical by Jonathan Harvey, the genius behind Beautiful Thing, Canary, Our Lady of Blundellsands and a million episodes of Coronation Street.
The show was commissioned and written after the announcement last October that Liverpool would host Eurovision. From initial idea to a fully-formed musical in six months? Could it be done? If anyone can do it, Jonathan Harvey can.
Continue reading “A Thong in My Heart”
Liverpool has embraced Eurovision beyond my wildest imagination. It has taken over the city in a way I’ve never seen before. More than the various Giants events. Not even a Liverpool FC trophy parade touches this for sheer scale. Naturally, I’ve immersed myself in it as much as possible.
Things got under way in earnest at the beginning of May with EuroFestival, a fortnight-long cultural festival of artworks tying in with the contest, with a particular emphasis on Ukraine, the rightful hosts of this year’s contest.
I’ve been exploring some of the artworks with Ben, and here is a round-up of what we’ve seen so far.
Continue reading “Eurovision – the arty party”
It’s been nearly four months since we got the fantastic news that Liverpool will host Eurovision 2023 on behalf of Ukraine.
Things went a little bit quiet after that. There was the announcement of the production team, and a fantastic New Year’s Eve show with Sam Ryder showing just how Eurovision can boost an artist, if they want it. But if there was activity behind the scenes, not much of it was in the public eye.
Things kicked up a gear on Monday with the unveiling of the theme for this year’s contest, United by Music, and the logo and graphics, which combine the colours of the UK and Ukraine.
Continue reading “Liverpool calling”
As soon as it was announced that Eurovision 2023 would be hosted by the BBC, it was inevitable that Liverpool would throw its hat into the ring. As a city with such a great muscial pedigree, we were the obvious choice, right?
Maybe not. Even my most ardent Eurovision pals were sceptical of our bid. “It’ll be in Glasgow,” they all said, whenever I dared to dream of a Eurovision on the banks of the River Mersey. When the bids were narrowed down and Liverpool was in the final two, a lot of people seemed to be surprised that we had even made it that far.
And then, on Friday night, the final announcement came…
WE DID IT!
Continue reading “We are the winners of Eurovision!”
The FA Cup Final is today, but I am naturally more interested in the Gay FA Cup Final, namely Eurovision, which kicks off at 8pm tonight.
There’s lots of chatter about the UK’s entry this year. After several years of lacklustre performances, earning few points from either the jury or televote, the BBC has changed direction. This year, the UK has gone with an innovative, risky strategy of entering a decent song with a likeable performer. It seems to have paid off, as Space Man is actually being talked about as a possible winner. Sam Ryder immediately piqued my interest in his song by releasing a lyric video based on teletext, albeit fake teletext that was just unrealistic enough to annoy me.
But I don’t want to talk about the front-runners. No, I am far more interested in the poor artists who poured their heart and soul into their song and performance, only to get perfunctorily booted out at the semi-final stage. Let’s take a moment to acknowledge the performances that failed to get through because Europeans apparently wanted a load of tedious ballads instead.
Continue reading “Eurovision Wrong Contest”
On Saturday, the EBU presented Europe Shine a Light, a special show “honouring” the songs that would have appeared in the Eurovision Song Contest, had it not been cancelled.
I can’t stop thinking about the finale, where the would-be contestants all joined in singing Love Shine a Light, the UK’s winning song from 1997. Maybe it’s because recent events have left me feeling emotionally fragile, but the sight of a continent coming together like this moved me to tears. I’ve watched the video about 20 times in the past 48 hours.