King Brilliant

Ben was nervous as we took our seats in the theatre. “I hope you like this,” he said. Several times.

It was partly my fault. When we went to see White Christmas a few months back, I mentioned that this wasn’t the sort of show I would normally see. White Christmas is a cosy sentimental, feel-good show – an old-fashioned good time which displays its 1950s origins clearly. I like my musicals contemporary, and ideally full of swearing and gay references. The Book of Mormon, Avenue Q, that sort of thing. Less wholesome, more holes.

I did go on to say that I had very much enjoyed White Christmas and was glad we had gone to see it. Nevertheless, my boyfriend was anxious about bringing me to see The King and I. A new production — with her off Call the Midwife in the lead role — but an old show, originally performed on Broadway in 1951.

It’s also Ben’s favourite musical. No pressure then.

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